One of the main objectives of The Foundation is to restore and conserve the priceless works of art in St John’s Co-Cathedral and Museum. The work involved is extremely specialised, time consuming and expensive, but also vital if such treasures of international importance are to be preserved for the appreciation of future generations. Below are links to the examples of our restoration works:
St Lawrence lunetteAPS Bank has taken the initiative to sponsor the restoration of an important painting by Mattia Preti assisting The St John’s Co-Cathedral Foundation in its ambitious project to restore the entire Chapel of the langue of Aragon which commenced a few months ago. The painting depicting The Martyrdom of St Lawrence fits in one of the two lunettes of the chapel. Read more...
The Grand Masters CryptThe Grand Masters Crypt is a subterranean chamber beneath the high altar of St John’s Co-Cathedral. It was created at the time the church was under construction in the late sixteenth century. It contains the remains of the first twelve Grand Masters who headed the Order between 1522 and 1623. Read more...
Restoration and Conservation of the TapestriesIn 2006 two of a set of 29 priceless 18th C Flemish Tapestries were sent to the De Wit Laboratories Belgium for restoration. The Belgian Government provided the transport, with the assistance of the Belgian Ambassador to Malta, Thomas Baekelandt. Read more...
Chapel of the Blessed SacramentThe restoration of the chapel of the Blessed Sacrament which is situated adjacent to the high altar in St John’s Co-Cathedral was carried out under the initiative of The St John’s Co-Cathedral Foundation and completed in March 2010. The walls and dome within the chapel suffered from water infiltration and rising damp which lead to salt migration and losses of paint and gilding. Read more...
Chapel of AragonThe of the chapel of Aragon which is situated on the south side of St John’s Co-Cathedral is currently undergoing restoration under the initiative of The St John’s Co-Cathedral Foundation. The dome of the chapel is being cleaned and re-gilded by ReCoop in an intervention which began in October 2009.
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St Francis Xavier, Mattia PretiThe painting representing St Francis Xavier by Mattia Preti, situated in the chapel of Aragon, is currently undergoing restoration. Amongst the main problems from which the painting suffers are surface cracks caused by lack of cohesion in the preparatory paint layers. The painting is being restored by Giuseppe Mantella Restauri and sponsored by Din l’Art Helwa, through the initiative of The St John’s Co-Cathedral Foundation. Read more...
St James, Mattia PretiThe painting representing St James by Mattia Preti is currently being restored under the initiative of The St John’s Co-Cathedral Foundation with the generous sponsorship of the National Student Travel Foundation. Works have been entrusted to Giuseppe Mantella Restauri.
The painting was in desperate need of restoration as it had suffered from the ravages of time and showed serious signs of deterioration of the paint layer as well as the supporting canvas and frame. Read more...
Conservation/Restoration of the Arches of the NaveSt. John’s Co-Cathedral consists of a barrel -vaulted nave buttressed with arches leading to side chapels. Each side chapel belongs to a specific langue of the Order each responsible for the decoration of its own chapel. The walls of these chapels were lavishly carved out of limestone to form relief carvings, which were gilded creating an aura of dazzling brilliance.
Humidity as well as other contributing factors led to considerable deterioration of the surfaces. In 2006 The St John’s Co-Cathedral Foundation embarked on their restoration. This project was entrusted to Sante Guido. Read more...
Conservation/Restoration of the Lascaris BellIn 2008 The St John’s Co-Cathedral Foundation concluded the restoration of the Lascaris bell. This ambitious project took over 2 years. The bell cast in 1636 during the term of Grand Master Antoine de Paule was probably commissioned by Bailiff Jean Paul Lascaris de Castellar, successor of Grand Master De Paule. It was almost surely cast in the Foundry of the Order known as the Ferreria. Four armorial shields are found on the front, obverse and quarter points.
The Lascaris bell was originally installed in the façade arch of the northwest belfry. It is commonly thought that the bell was damaged due to war action, however cracks in its suspending cannons strongly indicate otherwise. Read more...
Conservation/Restoration of the Flagellation of ChristThe Flagellation of Christ (383.5cmx300.5cm) is a mannerist work by the Florentine artist Stefano Pieri painted in 1572. It is not known whether Pieri, who worked with Giorgio Vasari, visited the island and executed the work here or if it came to the island as a complete work. The painting hangs above the altar of the sacristy in St John’s Co-Cathedral, it was however painted prior to the building of the church and is recorded to have initially been hanging in the chapel of the Langue of England in the last years of the 16th Century before being transferred to the Sacristy. Read more...
The Oratory OrganThe 5th Italo-Maltese protocol funding also included financial assistance for the restoration of the early 17th century organ situated in the Oratory of the Co-Cathedral. Fratelli Ruffatti of Padova was commissioned for technical and scientific consultancy and the actual restoration of all the parts of the organ. The restoration of the organ case was entrusted to M C Restauri of Noto. Read more...
Chapel of ItalyThe 5th Financial Protocol, signed between the Government of Malta and the Government of the Republic of Italy, made possible the conservation and restoration of the Chapel of Italy. This project was entrusted to the Ditta Sante Guido Restauri of Rome and was completed in November 2005.
St George and the DragonMattia Preti’s outstanding painting of St George and the Dragon, which is the altarpiece of the Chapel of Aragon, had such serious and urgent preservation problems that it was sent for restoration to the Istituto Centrale per il Restauro in Rome. The process started in January 2004.
In April 2005, to commemorate the completion of its restoration, the painting was exhibited in its full splendour, first in Rome, and then again in an exhibition in the Co-Cathedral on its return to Malta.
St Charles BorromeoThe painting of St Charles Borromeo, hanging in the Chapel of the Anglo-Bavarian Langue, was in a poor state of preservation and needed restoration. Its restoration was sponsored by Heritage Malta and was carried out by professional restorers at the National Museum of Fine Arts. Read more...
The Beheading of St John the BaptistRestoration of one of Caravaggio’s most famous masterpieces began in April 1997 when it was sent to the Opificio delle Pietre Dure in Florence as the Comune di Firenze had offered to restore it. Read more...
St Jerome WritingThis masterpiece, also by Caravaggio, was sent to the Istituto Centrale per il Restauro in Rome in the 1960s to be relined. On the 29th December 1984 it was stolen and it was recovered on 4th August 1988. Two years later, the canvas, damaged when the burglars cut the painting out of its frame, was sent for restoration once again to the Istituto Centrale per il Restauro.